This Muslim Woman Is Redefining Hijabi Fashion In Japan With Her Gorgeous Instagram Photos

Although her Indonesian Muslim mother and father never forced her to wear a hijab, Rahmalia Aufa Yazid continually figured she would eventually carry one. Born and raised in Tokyo, she first didn’t sense that strongly about Islam, so she had observed her mother and father’s lead when it came to the faith.
When she sooner or later decided to place on hijab at age 18, it felt impersonal to her, and Yazid struggled with dressing in it.

“I felt that the hijab changed into a religious item of clothing, so I turned into choosing my clothes to suit,” the 24-year-old freelance author, who posts under her Instagram take, said. As a result, she found herself lacking in famous Japanese fashion tendencies and feeling out of a college location, where she became the only hijabi scholar in her major. “Not most effective did I stand out as someone with an overseas historical past; my everyday outfits now consisted of my mom’s antique hijab and clothes that were one-of-a-kind from designs and colors that had been popular in Japan on time,” she stated. “Although it was my preference to wear the hijab, I would be lying if I said I didn’t feel as though the hijab was, as a substitute, sporting me,” she stated.

All that was modified when she encountered the paintings of Hana Tajima, a mixed-race British and Japanese clothier who transformed into Islam as a young adult. It became best after she noticed Tajima’s Uniqlo modest put-on series that Yazid realized modest fashion wasn’t experienced outside of the area within the streets of Tokyo. “Her style did not experience find it irresistible became looking to be in particular fantastic, bright, or maybe traditional,” Yazid said.

“That was the moment the hijab changed from an impersonal, spiritual object of apparel to something that became actual to my existence,” she introduced. Yazid now combines Muslim and Japanese models within Tokyo, sharing her self-images with her 14,000 fans on her Instagram. She calls Tokyo a “bloodless and stressed city,” in which humans get dressed in impartial hues of white, beige, and khaki and in shades in which vivid colors and patterns are rare.

She styles her hijab how Japanese human beings fashion their hair — to match their outfit and mood for the day. Just as Japanese people vary their hairstyles, from direct to bobbed, wavy to short haircuts, Yazid uses one-of-a-kind coloring, materials, and wrapping methods to interchange her look. For example, the hijab can be wrapped asymmetrically to create an effect like bangs being swept to 1 aspect, she said. “I add accessories to create an extra lively appearance,” she said. “I like hats, so I wear a beret over the hijab.”

Or Yazid, Islam’s regulations in opposition to women displaying pores and skin is the element she enjoys maximum approximate fashion. Because hijabi fashion doesn’t allow women to expose their necks, legs, or figures, it’s tough to develop an outfit that still achieves an average balance. “But for me, that’s part of the fun,” she said. “It’s like fixing a puzzle.”