A Guide to Ageless Makeup for Women Over 50, According to an Industry Veteran
In her 70 years, Sandy Linter has lived many lives as a make-up artist. In 1969, the Staten Island-born visionary started her career operating for famed movie star hairdresser Mr. Kenneth in New York City, his customers Jackie Onassis and Barbara Walters serendipitously ending up in her makeup chair. In the ’70s, she struck out on her own, touchdown high profile editorial paintings with photographers such as Irving Penn, Helmut Newton, and Arthur Elgort while embodying the technology’s work-tough-play-difficult mentality and turning into a fantastic fixture at Studio 54. And via the ’80s, she often portrays the faces of supermodels Iman, Cindy Crawford, and Patti Hansen for principal campaigns and within the pages of Vogue. And because then, Linter hasn’t bogged down. In reality, with age, her skill set has grown, as she’s endured to paintings with a laundry list of well-known faces along with Christie Brinkley, Debbie Harry, and Rita Wilson.
“I can recollect being younger Sandy the makeup artist after which middle-aged and the similarly on then center elderly…” she laughs, about her private evolution over her a long time-lengthy profession. While the style industry is, at long closing, embracing ladies above a positive age, Linter believes there is no time just like the present for older women to now not simply embody make-up—however, have fun with it. “There are no policies!” she insists, with just one addendum: “Wear the makeup, don’t have it put on you. Instead of seeking to cover flaws, decorate what you have got.” From herbal-looking coverage to subtle tricks that make the eyes pop, right here’s Linter’s manual to ageless beauty.
Create a Glowing Base
Following a dedicated skin-care routine—cleaning, moisturizing, and exfoliating—is an essential strategy for attaining a wholesome complexion, particularly over the years. Before making use of makeup, spread a veil of a hydrating but weightless moisturizer on clean skin. “Heavy moisturizers are just now not like-minded with make-up,” says Linter. According to the pro, La Mer’s Crème de la Mer Moisturizing Cream moves the right stability between nourishing the pores and skin for a dewy end without compromising the layers that follow. After the moisturizer sinks in, you can target areas with satisfactory strains or dry patches with a brief-absorbing primer, like Dermablend’s Insta-Grip Jelly Face Primer with its smoothing gel texture, as favored.
Cover Up Conservatively
“You can not cover wrinkles, so don’t try to, because you’re simplest going to draw greater attention to them,” says Linter. To even out skin tone, she indicates the usage of a wet sponge or basis brush to use a sheer, hydrating foundation, like Kevyn Auction’s The Ethereal formula, so that it “does not look plastered to the face.” Then, use a robust yet light-weight creamy concealer that blends without problems—Giorgio Armani’s High Precision Retouch Concealer is her go-to—at the more ruddy or hyperpigmented areas. For the eyes, concentrate on the below eyes and tear ducts to correctly counteract dark circles. “Most girls get darkest at the inner nook of their eye instead of the outer corners where you smile and have the chortle strains,” she explains.
Warm Up the Skin
When selecting a basis or concealer coloration, one is probably willing to are trying to find out a genuine shape; however, Linter suggests going a shade or two warmer to make sure you do not appear washed out. “If it’s too matchy-matchy, it can age you,” she says. And in that case, it is in particular crucial to increase coverage beyond the visage. “After the face, take a basis brush and mix very barely across the neck, so it does not require to appear obvious,” instructs Linter. Then comes bronzer—and not only for the cheeks. “I use it on anybody over 50 as it warms up the pores and skin in a herbal manner,” she explains, including that she’ll sweep Serge Lutens’s Complexion Perfector below the cheekbone, down the perimeters of the nostril, across the forehead, and under the jawline for a chiseled glow.
Sculpt and Lift Subtly
Smiling while you follow blush has long been referred to as a usual, tried-and-real approach; however, it is one it truly is not as effective as you age, says Linter. “Instead of on the apples of the cheeks, I like to use blush at the top of the cheekbone and then combination inward. You want to factor the eye as much as beautify.” As for sunglasses, she prefers muted rosy sun shades like MAC’s Powder Blush in Prism. “I’ve been using it for the reason that ’90s!” she says. For extra effect, Linter will layer—first with a cream system, like Kevyn Aucoin’s The Creamy Glow, and then finish it off with a powder. “Sometimes simply the cream is sufficient,” she says. Placing powder is a step Linter typically skips but looks to Dermablend Banana Powder if necessary.
Play Up the Eyes
“You need to open up the eyes and make them look as large as viable as it’s greater younger,” explains Linter. The first step? Curl the lashes with an eyelash roller, beginning right at the foundation. Next, you have to pick the right mascara, which calls for trial and mistakes. “There is a very thickening formulation that does not include paintings on older girls whose lashes have turn out to be thinner and greater brittle,” she explains. “When they do not work, the lashes start to clump, and there is nothing greater getting old than clumpy lashes on a girl over 50.” Currently, Chanel’s lengthy-carrying Inimitable Mascara boasts a flexible pronged brush and provitamin B5-laced jet-black method that nourishes the hairs while offering a natural definition, is her preferred while working with older clients. As for liner, Linter makes a point of debunking a protracted-held fantasy.
“In the antique days, they used to mention simplest use brown, but it is a falsehood that girls over 50 cannot use black,” she insists. “You need to create a contrast between the attention coloration and liner. Brown could make you appear tired if it’s not the right brown.” Shade-clever, no girl can go incorrect with Lancôme’s Le Crayon Khôl in Black Coffee. “Absolutely all of us can use it!” While mascara and eyeliner skew towards basic steps, eyeshadow is more of an accent that performs up to your private fashion in case you want it to. But continue thoughtfully. “Don’t take a shadow and simply plop it on the center of the lid,” she instructs. “Using a small eye brush, start from the outer corner of the eyes and paintings inwards, so that the coloration gets gradually lighter. It’ll give you a larger, extensive-eyed appearance.”
Take It Easy at the Brows
First, consciousness on keeping the brows complete clearly. “You want to store each eyebrow hair you’ve got, so as opposed to tweezing, trim them,” says Linter, adding that Revitabrow and Revitalash are excellent increase formulas she uses on herself. Linter is keen on featherlight hair-like strokes of Troy Surratt’s Expressionist Brow Pencil to fill in arches. “It’s skinny enough for drawing on a hair here and there without searching too synthetic,” she says. “[The shades] are so natural-looking.”
Balance Out the Lips” As you become older, the lips can emerge as asymmetrical, and it can be Lip Pencils are high-quality in this regard. Linter recommends drawing on a pencil in four separate strokes to create symmetry, constantly starting from each of the four outer corners and drawing closer to the cupid’s bow or the middle of the bottom lips.Linter. You can use stability out the mouth using a lip pencil in your lips-but-higher color, but the components have to have the proper amount of slip. “You need it to be so smooth that the minute it touches the skin, it glides on,” she explains, adding that NARS’s Velvet Matte
“That manner, your lip is going to be greater balanced,” she says. Identically apply lipstick, then use a lip brush to diffuse the rims for a softer look slightly. After painting on a matte lip, Linter will, from time to time, add a gloss on top to add shine and definition, but by no means one, this is too heavy or sticky. This part of the method is up to the wearer; Linter emphasizes, “the finish is the only flavor.”